 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
Painting
tools |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
About Haiga Haiga is a form of painting that combines three
traditional Japanese arts:
1. Haiku poems, which are short poems that
o. must contain
exactly 17 syllables and have
o. some kind of seasonal reference.
2. Japanese calligraphy, which is written with
o. black sumi ink and has a tradition
of
o. thousands of years carried over from China.
3. Watercolor painting, which in this case
o. employs a special kind of paints
called
o. gansai. Each haiga must integrate the three forms into one painting to express
one simple feeling or thought. In haiga, the artist may either compose
her (or his) own haiku or may use haiku written by others. In my paintings,
all haiku are my own. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sumi-e
Painting |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
About
Sumi-e In Japanese “Sumi” means
Chinese black ink, and “e” is picture or painting, so a
sumi-e is a kind of wash painting that is painted with Chinese black
ink and a brush. Originally sumi-e were painted only with sumi ink,
but through time color paints, gansai, have been added. Sumi-e represents not only a unique and beautiful
form of art, but a philosophy as well. The philosophy of sumi-e is
to capture the ”ki” of
the subject. “Ki” in Japanese or “chi” in Chinese
means life sprit. Sumi-e aims to depict the sprit rather than the outward
shape of the subject. In creating a picture the artist must grasp the
sprit. Concentration and self-discipline are essential. It is important
that you cultivate a habit of capturing the ki of a subject in everyday
life. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Haiga
Painting |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Brief
history:
Sumi-e, Haiga, and their connection
Sumi-e was introduced to Japan in the 7th century from China. Over time it
became popular among Japanese Artists, and in the 15th century Sesshu established
what was considered the first purely Japanese-style sumi-e, “suiboku-ga”. The
beginning of haiga is not clear. Scholars have different theories: one
theory states that haiga was started by Nonoguchi Ryuko (1595 - 1669).
Another theory names Watanbe Kazan (1584 - 1654). If we assume that Ryuko
and Kazan started haiga, then the history of haiga starts roughly from
the 17th century when Basho (1644
-1694) also contributed to the |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
development
of the art on the strength of his position in haiku.
It can be considered that connection of sumi-e and haiga begin in the 17th century.
The development of haiga has been influenced by the traditional Japanese painting
schools, “yamato-e schools”,
as well as sumi-e, especially “nanga” known as bunjin-ga or literati
painting. But it was the haiku poets themselves who gave special characteristics
to haiga as they endeavored to create a new style of painting in its own right.
Buson (1716 - 1783) and Issa (1763 -1827) were both well-known for their delightful
haiga as well as their haiku. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Copyright © 2010
KazumiArt.com 0All
rights reserved. |
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|